{"id":22400,"date":"2026-04-01T07:34:00","date_gmt":"2026-04-01T07:34:00","guid":{"rendered":"https:\/\/revistaliterariaelgatonegro.com\/?p=22400"},"modified":"2026-03-31T19:35:59","modified_gmt":"2026-03-31T19:35:59","slug":"el-hambre-imposible","status":"publish","type":"post","link":"https:\/\/revistaliterariaelgatonegro.com\/?p=22400","title":{"rendered":"El hambre imposible"},"content":{"rendered":"\n<h2 class=\"wp-block-heading has-text-align-center\"><strong>Una obra que aborda distintos estigmas en un momento de especial sensibilizaci\u00f3n<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Dirigida por Zaida Alonso, la pieza re\u00fane en escena cuerpos y biograf\u00edas que, por diversas circunstancias (c\u00e1ncer, VIH, discapacidad motora y auditiva, enfermedades raras o intentos de suicidio), no encajan&nbsp;en unos c\u00e1nones sociales marcados por una normatividad excluyente. Entre la autoficci\u00f3n y la performance, <em>El hambre imposible<\/em> se aproxima de manera hol\u00edstica al concepto del estigma, cuestionando la normalidad construida en nuestra sociedad occidental y reivindicando los m\u00e1rgenes, una constante en la l\u00ednea de trabajo de Teatro de los Invisibles.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Teatro de los Invisibles expone en <em>El hambre imposible <\/em>historias de vida marcadas por la imposibilidad de encajar en el orden establecido. En esta ocasi\u00f3n, con el estigma como eje principal para abordar episodios como el VIH, la discapacidad, las enfermedades degenerativas, el suicidio o el c\u00e1ncer. Hablar sobre los estigmas que rodean estas condiciones se vuelve urgente en un momento en el que, pese a contar con m\u00e1s informaci\u00f3n que nunca, las personas con VIH siguen teniendo prohibida la entrada a pa\u00edses como Arabia Saud\u00ed o Sud\u00e1n y el 81% oculta su diagn\u00f3stico por miedo a la discriminaci\u00f3n, seg\u00fan datos de CESIDA (2024).<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">La pieza, a caballo entre la autoficci\u00f3n y la performance, podr\u00e1 verse los d\u00edas 19 de marzo y 9 de abril de en Teatro del Barrio<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En el \u00e1mbito de las enfermedades raras, que afectan a m\u00e1s de tres millones de personas en Espa\u00f1a, el tiempo medio de diagn\u00f3stico puede superar los seis a\u00f1os y m\u00e1s del 90% no cuenta con tratamiento espec\u00edfico. En algunos casos, la patolog\u00eda ni siquiera tiene un nombre claro o una clasificaci\u00f3n estable, lo que la deja fuera de protocolos de investigaci\u00f3n y financiaci\u00f3n p\u00fablica, convirtiendo el deterioro en algo que se registra pero no se combate.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En cuanto al c\u00e1ncer, aunque recientemente se ha regulado el derecho al olvido oncol\u00f3gico, este no contempla adecuadamente a pacientes en tratamiento cr\u00f3nico o con enfermedad avanzada, perpetuando desigualdades en el acceso a seguros, cr\u00e9ditos o hipotecas.<strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A trav\u00e9s de cuatro int\u00e9rpretes (J\u00falia Sol\u00e9, Fernando Merc\u00e8, Javier Zarapico y Zaida Alonso) y un m\u00fasico en directo (Jes\u00fas Irimia), Teatro de los Invisibles se lanza a la autoficci\u00f3n y la performance, nuevas l\u00edneas de exploraci\u00f3n para una compa\u00f1\u00eda que, hasta ahora, se hab\u00eda centrado en el teatro documento.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Este colectivo art\u00edstico naci\u00f3 en 2017 y, desde entonces, ha logrado tener presencia en contextos esc\u00e9nicos relevantes como el Festival de Oto\u00f1o de la Comunidad de Madrid, Surge Madrid, el Festival MeetYou del Teatro Calder\u00f3n de Valladolid, L\u2019Altre Festival de Barcelona o el Certamen CENIT del Centro TNT-Atalaya de Sevilla, resultando ganador del premio a mejor espect\u00e1culo por <em>Contenci\u00f3n mec\u00e1nica<\/em>. Adem\u00e1s, esta pieza ha sido seleccionada por la Red de Teatros Alternativos para su XXIII Circuito de Creaci\u00f3n Esc\u00e9nica Contempor\u00e1nea en 2025 y acaba de recibir dos candidaturas a los Premios Max 2026, en las categor\u00edas de mejor espect\u00e1culo revelaci\u00f3n y mejor autor\u00eda revelaci\u00f3n (Zaida Alonso)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Una obra que aborda distintos estigmas en un momento de especial sensibilizaci\u00f3n Dirigida por Zaida Alonso, la pieza<\/p>\n","protected":false},"author":1,"featured_media":22403,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[136,61],"tags":[124],"class_list":["post-22400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mas","category-teatro","tag-teatro"],"yoast_head":"<!-- This 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