{"id":14430,"date":"2024-05-29T10:28:31","date_gmt":"2024-05-29T10:28:31","guid":{"rendered":"https:\/\/revistaliterariaelgatonegro.com\/?p=14430"},"modified":"2024-05-29T10:28:33","modified_gmt":"2024-05-29T10:28:33","slug":"la-violencia-de-nuestro-tiempo-a-votacion-y-en-prime-time-con-la-obra-una-cronica-de-violencia","status":"publish","type":"post","link":"https:\/\/revistaliterariaelgatonegro.com\/?p=14430","title":{"rendered":"La violencia de nuestro tiempo a votaci\u00f3n y en\u00a0prime time\u00a0con la obra \u2018Una cr\u00f3nica de violencia\u2019"},"content":{"rendered":"\n

La Sala Mirador acoge el estreno de Una cr\u00f3nica de violencia<\/em><\/a>, el nuevo trabajo de la compa\u00f1\u00eda InDubio que podr\u00e1 verse del 5 al 9 de junio. Su director \u00cd\u00f1igo Santacana es tambi\u00e9n el autor de la pieza junto a Manuel Pico y Luis Maesso, un equipo que transfiere algunos patrones de violencia a escena e invita al p\u00fablico a introducirse en la historia con voz y voto.<\/p>\n\n\n\n

Con los 12 trabajos de Heracles tra\u00eddos al presente, los y las asistentes podr\u00e1n cuestionarse si, despu\u00e9s de m\u00e1s de dos mil a\u00f1os de vigencia con el ideal de este h\u00e9roe, nos seguimos relacionando con sus ense\u00f1anzas en la cultura contempor\u00e1nea y de qu\u00e9 manera. De esta forma, con la participaci\u00f3n en forma de votaci\u00f3n de cada espectador y espectadora, se comprobar\u00e1 si el mito sigue siendo v\u00e1lido o no.<\/p>\n\n\n\n

\"\"
Fotograf\u00eda: Roberto Castar<\/figcaption><\/figure>\n\n\n\n

Sobre el escenario, Juan Maroto, Luis Maesso, Manuel Pico y Mar P. Soler en alternancia con Nagore Andr\u00e9s dar\u00e1n vida a los personajes convocados de urgencia por Euristeo, en un show<\/em> televisivo en el templo de Zeus, en el que los votos son un elemento central para el desarrollo de la pieza.<\/p>\n\n\n\n

\n

El p\u00fablico decidir\u00e1 el desarrollo de los llamados 12 trabajos de Heracles a trav\u00e9s de votaciones individuales<\/strong><\/p>\n<\/blockquote>\n\n\n\n

Por lo tanto, se trata de una\u00a0pieza interactiva, en la que el p\u00fablico podr\u00e1 decidir qu\u00e9 versi\u00f3n de la obra se ver\u00e1 cada noche, en funci\u00f3n de cu\u00e1n de acuerdo o en desacuerdo est\u00e9 con la violencia que se propone en varios momentos de la propuesta. Esta obra parte sobre el concepto de la violencia y de los impulsos violentos que cualquier persona puede sentir. Adem\u00e1s, apela a la\u00a0relaci\u00f3n que tenemos actualmente con la violencia y a c\u00f3mo esta ha cambiado (o no)\u00a0despu\u00e9s de tantos siglos. Para ello, habla de diferentes tipos machista, pol\u00edtica, justa\u2026 y de si alguna de ellas es l\u00edcita o il\u00edcita en nuestra sociedad actual.<\/p>\n\n\n\n

Esta es la segunda producci\u00f3n de InDubio despu\u00e9s de Juicio al extranjero, estrenada en El Umbral de Primavera y con gira nacional con m\u00e1s de 50 funciones en m\u00e1s de 10 comunidades auton\u00f3micas, en la que el p\u00fablico asist\u00eda a la simulaci\u00f3n de un juicio y decid\u00eda el futuro del se\u00f1or Mersol, protagonista de la novela El extranjero, de Albert Camus.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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