{"id":14158,"date":"2024-05-02T14:02:12","date_gmt":"2024-05-02T14:02:12","guid":{"rendered":"https:\/\/revistaliterariaelgatonegro.com\/?p=14158"},"modified":"2024-05-02T14:02:13","modified_gmt":"2024-05-02T14:02:13","slug":"oveja-perdida-una-protesta-laboral-de-brai-kobla-en-cuarta-pared","status":"publish","type":"post","link":"https:\/\/revistaliterariaelgatonegro.com\/?p=14158","title":{"rendered":"\u2018Oveja perdida\u2019, una protesta laboral de Brai Kobla en Cuarta Pared"},"content":{"rendered":"\n

La Sala Cuarta Pared acoge la vuelta de Oveja perdida ven sobre mis hombros que hoy no s\u00f3lo tu pastor soy sino tu pasto tambi\u00e9n<\/em><\/a>, escrita y dirigida por Brai Kobla. En ella, el p\u00fablico asiste a una protesta laboral en la que puede moverse libremente y modificar y probar su perspectiva, ya que se ubica alrededor del dispositivo escenogr\u00e1fico. Cham\u00e1n Producciones<\/a>, compa\u00f1\u00eda teatral dedicada a crear obras que exploran nuevos formatos y dramaturgias, presenta esta pieza que tendr\u00e1 funciones los d\u00edas 16, 17, 18, 23, 24 y 25 de mayo.<\/p>\n\n\n\n

\"\"
Fotograf\u00eda: Andr\u00e9a Arag\u00f3n <\/figcaption><\/figure>\n\n\n\n

Partiendo de conceptos como precarizaci\u00f3n laboral, fractalizaci\u00f3n del tiempo o trabajo cognitivo (todos contenidos en la obra literaria de Franco \u201cBifo\u201d Berardi), la obra investiga la conexi\u00f3n entre lo social y la tecnolog\u00eda, en t\u00e9rminos de afectividad y en relaci\u00f3n a c\u00f3mo afecta a los v\u00ednculos que generamos con los dem\u00e1s, en un mundo donde es imposible desconectar.<\/p>\n\n\n\n

\n

 El p\u00fablico podr\u00e1 moverse y ver la obra tan de cerca y desde la perspectiva que quiera, al estar situado alrededor del dispositivo escenogr\u00e1fico<\/strong><\/p>\n<\/blockquote>\n\n\n\n

Se trata de una propuesta que, durante casi 1 hora, cada espectador y espectadora disfrutar\u00e1 de pie y con pleno movimiento alrededor de la escenograf\u00eda y el elenco que la habita; Esther Sanz, Jorge Tesone, Marina Fantini y Luis Sorolla. De esta forma, se invita a observar el d\u00eda a d\u00eda de trabajo de un grupo de j\u00f3venes en una multinacional y a conocer de cerca hasta d\u00f3nde puede llegar a machacarles el capitalismo m\u00e1s actual.<\/p>\n\n\n\n

Oveja perdida ven sobre mis hombros que hoy no s\u00f3lo tu pastor soy sino tu pasto tambi\u00e9n<\/em> ha sido premiada como mejor dramaturgia por la Bienal de Arte Joven de Buenos Aires y ha recorrido Festivales Internacionales como los de Santiago Off (Chile) y Buenos Aires, adem\u00e1s del Festival Iberoamericano de Logro\u00f1o y el BBK OFF Festival de Bilbao. <\/p>\n\n\n\n

\"\"
Fotograf\u00eda: Andr\u00e9a Arag\u00f3n<\/figcaption><\/figure>\n\n\n\n

Tras participar en el Festival Essencia en julio del pasado a\u00f1o, llega de nuevo a Madrid del 16 al 25 de mayo, a las 20:30 h los jueves y viernes y a las 19 h y 20:30 h los s\u00e1bados (doble funci\u00f3n) en la Sala Cuarta Pared.<\/p>\n\n\n\n

\n

  Brai Kobla escribe y dirige una protesta laboral que gira en torno a la conexi\u00f3n entre lo social y la tecnolog\u00eda<\/strong><\/p>\n\n\n\n

Funciones de jueves a domingo, del 16 al 25 de mayo<\/strong><\/p>\n<\/blockquote>\n\n\n\n

En un departamento en el centro de su ciudad, un grupo de j\u00f3venes freelancers<\/em> presta servicio a trav\u00e9s de sus ordenadores y tel\u00e9fonos m\u00f3viles a una empresa multinacional, probablemente ubicada en Silicon Valley. Ante la incomunicaci\u00f3n y despersonalizaci\u00f3n en el v\u00ednculo laboral, deciden organizar una protesta. Pero estas empresas operan a trav\u00e9s de agentes impersonales sin rostros y dentro de la complej\u00edsima mara\u00f1a que es el campo de la virtualidad, donde todo se convierte en un monstruoso algoritmo al servicio del capitalismo m\u00e1s avanzado.<\/p>\n","protected":false},"excerpt":{"rendered":"

La Sala Cuarta Pared acoge la vuelta de Oveja perdida ven sobre mis hombros que hoy no s\u00f3lo tu pastor soy<\/p>\n","protected":false},"author":1,"featured_media":14160,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61],"tags":[],"class_list":["post-14158","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-teatro"],"yoast_head":"\n\u2018Oveja perdida\u2019, una protesta laboral de Brai Kobla en Cuarta Pared - REVISTA CULTURAL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revistaliterariaelgatonegro.com\/?p=14158\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Oveja perdida\u2019, una protesta laboral de Brai Kobla en Cuarta Pared - 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